I am always talking to the students about Air and what it creates...
I like to say is:
YOUR AIR CREATES.... How you use it, create it, imagine it, know it, feel it, express it... Creates the MUSIC...
I also went to the Pahud Class and Concert in Austin Texas last week and this morning read the Galway Flute Chat. Many wonderful things, inspiring to think about and learn from.
During the Pahud class and watching him at his concert it was clear that he created with his air. There was always a sense of ease and right effort in creating the music and an at one-ness with the music and musicians.
Some of the things he said about air were:
Some of the things he said about air were:
"Air in motion, creates sound...
Not lips but your air, your wind...
Breathing, air is supported NOT pressed, instead imagine an inflated balloon... Bouyant...
Release the air, it is all in how you release the air... For Forte, release more air... for Piano release less air...
Use the and feel the air in the Sinus cavities, the Wasabi diet...Allow the air to flow, send it and focus...
Place the breath in a musical place or an expressive place that is least heard... I want to hear the fantasy, your imagination in between the notes... use your imagination, air and body to create this... "
Below is something I saw and appreciated on the Galway Chat this morning... I was helping a student with her high Ab playing softly at the end of an Overture. Part of the 'trick" is knowing the feeling when the note is, STABLE or "locked in" when it is resonating and not to press it but to continue to support and allow for the resonance of the note to be amplified inside the body and in the instrument.... If a person does not have this awareness, knowledge and feeling then they might keep pushing and the note may crack, drop or be very difficult to play...
"The following idea might sound almost too simple, but with the flute being a wind instruments everything is triggered by the airstream. The airstream is the tool, which includes all our musical ideas. No air, no music. It has to go across the edge of the lip plate at a width of two Millimeters. The lips, the fingers, jaw and the tongue follow this airstream. Comparing this to violin playing: The bow is leading, not the hand on the fingerboard. We will find out that playing to the octave doesn’t mean to change the lip position. The lips will adapt to the supported airstream. I don’t want to simplify at any price, but I think a change of prospective can help to approach a complex issue.
Having understood this basic concept through the years, I could allow myself to look at technical details like the following one with great fascination:
Air pressure inside the mouth has been measured. The result was that we don't have higher air pressure inside the mouth in the high register. There is some change of pressure at the moment when we switch from low to high register. But once the high notes are stable, the pressure inside the mouth is going back to the earlier level. From this moment on, the resonating chamber inside the mouth and head is amplifying the sound of the flute (and not the amount of air we blow into the instrument!). The feeling is, as if the high note would lock in, independently from its dynamic range. Check it out!"
Matthias Ziegler
Zurich University of Arts
Switzerland
www.matthias-ziegler.ch
“It does lock in - and mouth resonation in octaves plays an essential role,
basically you reshape the inside from an open vowel (aaaa ... like in LOVE)
to a semi-closed (eee like in THE)... Though the fact that the air columns
stays in the upper octave even after reducing the speed, has more to do with
the inertia of the vibrating mass.
Thank you for this very interesting message, have a great day”
Uberto, London
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